Clages Gallery | Instagram

clagesgallery

Isabella Fürnkäs AMYGDALA, 2024 On Friday the 1

Isabella Fürnkäs AMYGDALA, 2024
On Friday the 13th of September, the performance Amygdala was showcased at Wilhelm Hallen, Berlin, on the occasion of Berlin Art Week. The performers activate the vast industrial space while interweaving their bodies with those of the visitors. In the performance, an unpredictable choreography of connections emerges. Here, where the positions and movements of the individuals are connected by a common red thread, they become a networked whole, disclosing their complex interplay.
The Performance was presented by @kunstforum_international
Duration approx. 45 min, 1200 meters of red thread, 20 hand-made ceramic rings (14 cm each)
Performed by @elvo_axt @angels_near_you
Photo: Giulia Vardabasso-Lei
#isabellafürnkäs #clages #clagesgallery

Visit us from Tue-Fri 1-6pm, Sat 1-5pm! Juan Pér

Visit us from Tue-Fri 1-6pm, Sat 1-5pm!
Juan Pérez Agirregoikoa „Western Perfection – Westliche Perfektion“ on view until October 19th, 2024.
1. Installation view „Western Perfection – Westliche Perfektion“
2. ›Wet Paper‹, Acrylic on canvas, 40 x 51 cm, 2024
3. ›The Master Significant Lake‹, Video installation, 4:47 min, 2024
Photo: Simon Vogel

Frances Scholz at Suchi, Seoul @suchi.info „Th

Frances Scholz at Suchi, Seoul @suchi.info
„There’s a skeleton“ on view until October 4th, 2024
Curation: Ko Daeyoung @____kovfe_9__842_ao
Artists:
Frances Scholz @nicola_von_schlegell
Jeronim Horvat @jeronium
Yoni Hong @yoni_hong
#francesscholz

„Trying not to Grow Up“ Acrylic on canvas, 100

„Trying not to Grow Up“
Acrylic on canvas, 100 x 73 cm, 2024
Juan Pérez Agirregoikoa Western Perfection – Westliche Perfektion
On view until 19th October, 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
Photo: Simon Vogel
#juanperezagirregoikoa #clages #clagesgallery

Open Now! Juan Pérez Agirregoikoa | Western Perf

Open Now!
Juan Pérez Agirregoikoa | Western Perfection – Westliche Perfektion
On view until 19th October, 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
Photo: Simon Vogel
#clages #clagesgallery #juanpérezagirregoikoa

OPENING: Friday, August 30th (6-9 pm) on the occas

OPENING: Friday, August 30th (6-9 pm) on the occasion of DC Open
Juan Pérez Agirregoikoa | Western Perfection – Westliche Perfektion
We are happy to announce the upcoming exhibition Western Perfection – Westliche Perfektion which will show new works of Juan Pérez Agirregoikoa.
„I would define my way of working as an impressionistic, I mean, going outside and drawing, painting and making movies about what happens, or what I see. Disaster, neofascism, and significant masters, leaders who incredibly and incomprehensibly make people work for free.“
Juan Pérez Agirregoikoa in an e-mail (excerpt) to the gallery, July 2024
Image: Juan Pérez Agirregoikoa
›Traditional Dressage, Red Drum‹
Acrylic on canvas
197 x 130 cm (77,5 x 51,1 inch)
2024
#clagesgallery #juanperezagirregoikoa #dcopen

We will truly miss your visits! R.I.P. 🖤

We will truly miss your visits! R.I.P. 🖤

We are happy to announce that Frances Scholz is pa

We are happy to announce that Frances Scholz is part of the outdoor group exhibition ‘KölnSkulptur #11’ at Skulpturenpark, Cologne (DE), curated by Nikola Dietrich.
›Earth Wall (Pandoras Box, Silver Arm, Stone Hugger)‹
Video installation
Neural Radiance Fields
14:14 Min.
2024
© VG Bild-Kunst, Bonn, 2024, Stiftung Skulpturenpark Köln, 2024. Photos: Mareike Tocha
@nikola_dietrich
@nicola_von_schlegell
#francesscholz #earthwall #pandorasbox #silverarm #stonehugger #sculpture #videoinstallation #skulpturenpark #köln #cologne #art #contemporaryart #neuralradiencefields

Bradley Davies ›à Tête‹ oil and oil stick

Bradley Davies
›à Tête‹
oil and oil stick on linen on hardboard,
metal ironing rack painting:  30 x 110 cm;  dimensions of the rack are variable
2022
´Painting-as-Prop´ is part of an ongoing dialogue and exchange between the two artist-run spaces Etablissement d’en face and Simian.
As the title suggests, the show’s starting point is the consideration of painted images as theatrical props´… ´In New York City, there is a woman named Niki Logis. She taught sculpture at The Cooper Union for approximately 1000 years. She once invented and then fraudulently attributed a quotation to Martin Heidegger: “a painting hangs off the wall, like a hat, or a gun.”´…
Painting-as-Prop |
01.06 - 01.09.2024
Opening hours: Fri, Sat, Sun, 12 – 17 hrs | Simian Art Center,
Kay Fiskers Plads 17
by Ørestad Metro station 2300
@broadleigh_davies
@ssiimmiiaann
@etablissement_den_face
@clagesgallery
#contemporaryart

Claus Richter | A deliberate waste of precious tim

Claus Richter | A deliberate waste of precious time
Until July 06th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
“We experience so many things even on an average day.
Some bygone experiences will become memories.
How was your day today?
Please close your eyes for five seconds. And now, open them again. There seems to be a difference in perception.”
Photos: Simon Vogel
#clausrichter #contemporaryart #cologne #köln #adeliberatewasteofprecioustime #time #Art

Claus Richter I A deliberate waste of precious tim

Claus Richter I A deliberate waste of precious time
Until July 06th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
Thank you for joining the opening yesterday!
“Structure means stability and orientation.
Music purposefully structures the passing of time.
Around the age of 13 to 14, your musical preferences set in.
What time is it now? And now?
I am a fictional character, I do not exist. The past does not exist either.
But you can somehow still memorize it.
The future also does not exists. But you can imagine it as an expectation.
The present is experienced as a 3-second time-frame.
One- Two-Three. One -Two-Three.
Would there still be time, if no one was there to experience it?
Is god looking at everything and by this, bringing everything into existence?”
Photos: Simon Vogel
#clausrichter #contemporaryart #cologne #fragonard #adeliberatewasteofprecioustime #time #art

Opening next week, Thursday, May 23, 6-9pm! Claus

Opening next week, Thursday, May 23, 6-9pm!
Claus Richter | A deliberate waste of precious time
May 23rd - July 06th 2024
"Hello. My name is A.N.N.A.
I would like to tell you a story. It’s more like a poem.
Or a song.
Do you like Music?
A song is something very interesting.
Few birds sing this song. It’s my favorite.
Look a this man: he hears the song of the birds.
Look a this man, he is in constant motion. He is swinging on a swing.
You can learn that.
For milliseconds, gravity seems to be gone.
In a detail of Fragonards painting „The swing“, a shoe flies. Almost like a bird.
Deep in the forest, the birds sing that song.
The song leaves the woods from time to time. Take a minute and listen.
Do you hear it?
We experience so many things even on an average day.
Some bygone experiences will become memories.
How was your day today?"
Text: A.N.N.A.’s monologue by Claus Richter
______
Opening concurrently:
@drei_koeln
#RosaAiello
#LenaHenke
#BenjaminHirte
#DozieKanu
#MiraMann
#RMMooney
#MarkusSaile
#matijaskurjeni
@zander_collection
@extrait_sands
@diez.gallery
@echo_cologne

[OPENING] Thursday, May 23rd, 6-9 pm Claus Richte

[OPENING]
Thursday, May 23rd, 6-9 pm
Claus Richter | A deliberate wasteland of precious time
We are thrilled to announce the upcoming exhibition A deliberate wasteland of precious time which will show new works of Claus Richter.
#clausrichter #cologne #opening #exhibition #contemporaryart

[LAST WEEK] Frances Scholz | Wave Painting Particl

[LAST WEEK]
Frances Scholz | Wave Painting Particle Sculpture
On view until May 11th
Opening hours: Tue-Fr 1pm-6pm, Sat 1pm-5pm
„The artist projects the image of the past and unfolds it askew onto the canvas in color. It's a situation of “getting it down with a minimum of fuss.” Until the artist recognizes the last station in the process, this process repeats. By that time layers of these moments have accumulated under whites so transparent they show the painting to be the present station in a series of coming-into-beings. A moment of time left outside of time, placed into time. They imply the white cube of the gallery is itself a palimpsest. The painter is a worker whose brush is dipped not simply in paint but in spacetime as well […]”
›Handedness‹ | Pigments, acrylic binder on canvas | 40 x 30 cm | 2023
Text: Mark von Schlegell
Photos: Simon Vogel
#francesscholz #wavepainting #particlesculpture #contemporaryart #exhibition #cologne #painting #clages

Frances Scholz | Wave Painting Particle Sculpture

Frances Scholz | Wave Painting Particle Sculpture
Until May 11th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
„Alongside its modernism there has always been an archaic gesture in abstract painting. After all, the first surviving artworks are the grids and cross-hatchings on cave walls. First showing in the 1990s alongside artists like Mary Heilman and Rosemarie Trockel, Frances Scholz’s paintings undermined, complicated, and lightened abstraction with elements of pop and conceptualism. Her practice of projecting images and tracing the light in abstractions with paint brought this impulse to the radical edge of postmodern ambiguity [...] In the cult of progress the ancient can be the most unexpected, super-futuristic. A Frances Scholz painting never forces a singular mode of perception. To offer unlimited interpretive perspective around deep color-field resonance, it must change willingly with time, light and mind’s flow. Thus, as it seems in this exhibition, taking on more ritualistic aspects than usual, it is particularly suited to show the lie that the socalled archaic is in any way old[...]“
From left to right:
›Stone Hugger‹ | Pigments, acrylic binder on canvas | 240 x 160 cm | 2023
›Making of Buffalo‹ | Pigments, acrylic binder on canvas | 240 x 160 cm | 2024
›Pandora’s Box‹ | Pigments, acrylic binder on canvas | 240 x 160 cm | 2023
›Advanced Living‹ | Pigments, acrylic binder on canvas | 90 x 65 cm | 2024
Text: Mark von Schlegell
Photos: Simon Vogel
#francesscholz #wavepainting #particlesculpture #contemporaryart #exhibition #cologne #painting #clages

Join us for the last day of Art Düsseldorf until

Join us for the last day of Art Düsseldorf until 6pm.
Booth F04
Juan Pérez Agirregoikoa
Bradley Davies
Isabella Fürnkäs
Shila Khatami
Anne Pöhlmann
Frances Scholz
Christian Theiss
From left to right:
Shila Khatami | ›New Wave‹ | acrylic, rabbit glue on canvas | 180 x 120 cm | 2024
Anne Pöhlmann | ›Geschwister‹ | wool, nylon, recycled polyester, polyester black 900, steel nails | ca. 152 x 100 cm| 2022
#artdüsseldorf #Düsseldorf #artfair #contemporaryart #JuanPérezAgirregoikoa #BradleyDavies #IsabellaFürnkäs #ShilaKhatami #AnnePöhlmann #FrancesScholz #christiantheiss @shila_khatami @annepoehlmann

Visit us at this year's Art Düsseldorf at booth F

Visit us at this year's Art Düsseldorf at booth F04.
Open today from 12-7 pm
Saturday from 11am-7pm
Sunday from 11am-6pm
Juan Pérez Agirregoikoa
Bradley Davies
Isabella Fürnkäs
Shila Khatami
Anne Pöhlmann
Frances Scholz
Christian Theiss
Photos by Sebastian Druuen
#artdüsseldorf #juanpérezagirregoikoa #bradleydavies #isabellafürnkäs #shilakhatami #annepöhlmann #francesscholz #christian theiss

Art Düsseldorf starts today. Come join us for the

Art Düsseldorf starts today. Come join us for the opening.
Booth F04
Juan Pérez Agirregoikoa
Bradley Davies
Isabella Fürnkäs
Shila Khatami
Anne Pöhlmann
Frances Scholz
Christian Theiss
From left to right:
Frances Scholz | ›Armee‹ | acrylics, pigment binder | 170 x 230 cm | 2006
Christian Theiss | ›untitled‹ | glazed ceramics | size variable | 2023
Anne Pöhlmann | ›Hand‹ | wool, nylon, recycled polyester, polyester black 900, steel nails | ca. 152 x 100 cm| 2022
Bradley Davies | ›Washing machine series‹ | acrylic on linen | 150 x 130 cm | 2023
#artdüsseldorf #Düsseldorf #artfair #contemporaryart #JuanPérezAgirregoikoa #BradleyDavies #IsabellaFürnkäs #ShilaKhatami #AnnePöhlmann #FrancesScholz #christiantheiss @shila_khatami @juanperezagirregoikoa @isabellafuernkaes

Clages at Art Düsseldorf Booth F-04 Areal Böhler

Clages at Art Düsseldorf
Booth F-04
Areal Böhler
April 12th – 14th
Juan Pérez Agirregoikoa
Bradley Davies
Isabella Fürnkäs
Shila Khatami
Anne Pöhlmann
Frances Scholz
Christian Theiss
We are happy to announce that Clages will be participating at the Art Düsseldorf 2024. Visit us at booth F-04.
Christian Theiss' work ›Schwanensee‹ will be presented at the sculpture square SQUARE & ART.
First photo: Frances Scholz | ›Armee‹ | acrylics, pigment binder |170 x 230 cm | 2006
Second photo: Christian Theiss | ›Schwanensee‹ | steel, polymer | 360 x 240 cm | 2020
#artdüsseldorf #artdusseldorf #contemporaryartfair #artfair #düsseldorf

Posted @withregram • @art.viewer Thank you for

Posted @withregram • @art.viewer
Thank you for sharing, Artviewer!
AM I A MONSTER? at Kunstverein Bielefeld
Curated by Undine Rietz
Anaïs Goupy, Chloe Wise, Christian Theiss, Diane Haefner, Jonas Monka, Lenn Blaschke, Mary-Audrey Ramirez, Ronny Szillo
February 17 – April 28, 2024
Images courtesy of the artists and Kunstverein Bielefeld
@kunstverein_bielefeld #kunstvereinbielefeld @un_di_ne #undinerietz

Frances Scholz | Wave Painting Particle Sculpture

Frances Scholz | Wave Painting Particle Sculpture
Until May 11th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
“Connecting the visible and the invisible, the deep and the flat, occupying intermediate states between polar nodes, introducing the floor, the fabric is placed also to remind us: our work lies inside the forest.
In that spirit also I read the placing of the films among the fabrics. The AI Earth Wall series of seven short films, including Earth Wall/Buffalo 2024, nears completion at the time of this writing. With Earth Wall/Buffalo on one tablet, in which hand held camera work gives way to artificially rendered mind's eye views, and a special “making of” -recording on another, calling attention to the human hand working along with the possibilities the AI tools have opened, the films occur as on ongoing process still intra-acting with the falling, performing trees.
Fabrics create community. Typically extra-industrial technology, here there is no escape. Screen-printed by laser printer they also now signify possibilities afforded the artist by developing technology Scholz's use of cloth and foils in installations also goes back into the beginning of the 2000s, when in projects like her film Rollen 2001 performers heads emerged from rolled carpeting. Her recent collaboration with New York based artist and designer Susan Cianciolo first brought mannequin like body parts into her studio.
Here the “Earth People” are literally screened on to camouflage, as if projected by forest to view itself in this anthropocene field.”
Text: Mark von Schlegell
Photos: Simon Vogel
#francesscholz #wavepainting #particlesculpture #contemporaryart #glass #exhibition #cologne #bones

Frances Scholz | Wave Painting Particle Sculpture

Frances Scholz | Wave Painting Particle Sculpture
Until May 11th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
From electrically-injected matter, a translucent prosthesis is placed, as distorted fragment, into a field of waves. Glass extracted from stone, as a unit in Indra’s Net and a quasi-monad in Leibniz’s philosophy, embodies in its sensitive reflection, as its individuality, inseparable unity with the entire environment.
In the context of artists like Blinky Palermo, Gordon Matta Clark, and Piero Pasolini, who moved their disciplines into spaces between other disciplines and forms, Frances Scholz has been inclined from the start to move her approach across boundaries of genre and media to wall drawings, film, and sculpture, particularly sculpture in glass. With transparency already an element of her paintings, glass has the further ability to embody positions in spacetime while reflecting others. Like Scholz’s first glass work, Porenbau of 1999, permanently installed in the entrance hall of the Bio-center of Rheinische Friedrich-Wilhelms-Universität Bonn, the tree skeleton immediately memorializes how metal and glass cling to one another in human constructions, and together to the history of industrialization from where they’ve emerged[...]
Text: Mark von Schlegell
Photos: Simon Vogel
#francesscholz #wavepainting #particlesculpture #contemporaryart #glass #exhibition #cologne #bones

[OPENING] Friday, March 15th, 6-9pm Frances Schol

[OPENING]
Friday, March 15th, 6-9pm
Frances Scholz | Wave Painting Particle Sculpture
We are thrilled to announce the upcoming exhibition Wave Painting Particle Sculpture which will show new works of Frances Scholz.
"Already the trees, a certain community of trees, are the trunk. This is true on whatever branch we stand. We have found painter Frances Scholz leaving the canvas to engage with trees before, in works like "Interview with A Tree" (2001), or with “The Swimmer/ROT”, (2016) filmed and shown at Marfa's Chinati Foundation in 2016, paying homage to Syrian Yusra Mardini, the refugee turned Olympic swimmer, who swam twenty people on a dingy to safety in 2015. During the recent pandemic, she found herself filming in the woods of New England, particularly drawn to a community of trees deep in protected woodland, felled after one of numerous recent extreme weather events. The first impact of the lifted root-pads was implicitly visual, a 2 dimensional revelation of anthropocene shock. She felt she had come upon a recent battlefield, or a graveyard[...]"
With text by Mark von Schlegell
#francesscholz #cologne #opening #exhibition #contemporaryart #wave #painting #particle #sculpture

[LAST CHANCE] Damaris Kerkhoff | a short record on

[LAST CHANCE]
Damaris Kerkhoff | a short record on
On view until March 09th 2024
Opening hours: Tue-Fri 1pm-6pm, Sat 1pm-5pm
Damaris Kerkhoff | ›waking up drawing 05‹ | sewing machine seam on archival paper | 26 x 35 cm (framed) | 2024
"Damaris Kerkhoff’s minimalism is bound up with an existential corporeality that takes in Maurice Merleau-Ponty’s phenomenology, Georges Didi-Huberman’s combination of geometry and anthropology, and Maggie Nelson’s bodily transitivity. In this sense, Kerkhoff is writing a new chapter in an alternative art history, whose prominent points of reference include Marcel Duchamp’s alter ego Rose Selavy, Agnes Martin’s physical drawing, and Sol LeWitt’s absurd humor. The postmodern father (Duchamp) is replaced by the figure of the mother, and LeWitt’s cubic permutations give way to reflection on the geometric and conceptual possibilities of the sphere and its potential for institutional critique."
We are delighted to announce the representation of Damaris Kerkhoff. Discover the work of the artist on our website: www.mariettaclages.de
Text: Susanne Figner "Minimales Theater"
Photo: Simon Vogel
#damariskerkhoff #art #cologne #exhibition #contemporaryart

Claus Richter | ›Eine Reise ins Licht‹ Lectur

Claus Richter | ›Eine Reise ins Licht‹
Lecture Performance at Kunstmuseum Gelsenkirchen
Together we immersed ourselves in Claus Richter's fantastic world of artificial illuminations. Thanks to Claus Richter and the the Kunstmuseum Gelsenkirchen for the enchanting evening.
Photos by Katharina Klemme
@sherlockrichter
@kunstmuseumgelsenkirchen
#clausrichter #kunstmuseumgelsenkirchen #performance #art #gelsenkirchen #lightshow

Damaris Kerkhoff | >suchen< | video projection | 2

Damaris Kerkhoff | >suchen< | video projection | 2012/2024
Damaris Kerkhoff | a short record on
January 19th – March 09th 2024
Opening hours: Tue-Fr 1pm-6pm, Sat 1pm-5pm
Photo by Simon Vogel
@damaris_kerkhoff
#damariskerkhoff #art #cologne #exhibition #contemporaryart #walking #suchen

Damaris Kerkhoff | a short record on January 19th

Damaris Kerkhoff | a short record on
January 19th – March 09th 2024
Opening hours: Tue-Fr 1pm-6pm, Sat 1pm-5pm
Second room: ›walking‹
„Kerkhoff duplicates, layers, and combines shapeless shapes so that they inevitably take on anthropomorphic qualities. These are form-figures that alternate between abstraction and figuration, between standardization and deviation, between industrial and manual production. They seem to obey a modernist logic, but they overlay it with aspects that are foreign or even inimical to it, such as tactility, figuration, and theatricality – all the disruptive elements that Michael Fried wanted banished from art, and whose potential Kerkhoff exploits to expand it. These figures, however, derive their idiosyncratic comedy not only from their shapeless appearance, but also from their theatrical presentation. An important role is played here by the architectural peculiarities of the exhibition venue, which Kerkhoff skillfully employs to provoke interaction between viewers and objects. “
Text: Susanne Figner “Minimales Theater”
Photos by Simon Vogel
@damaris_kerkhoff
#damariskerkhoff #art #cologne #exhibition #contemporaryart #walking

Juan Pérez Agirregoikoa | Lacan, l’exposition.

Juan Pérez Agirregoikoa | Lacan, l’exposition. Quand l’art rencontre la psychanalyse
Group show at Centre Pompidou-Metz (FR)
On view until May 27th 2024
›Lacan I love u‹ | watercolor on paper | 30x 46 x 8 cm | 2011
© Centre Pompidou-Metz / Marc Domage / 2023 / Exposition Lacan, l’exposition. Quand l’art rencontre la psychanalyse
@centrepompidoumetz_
@juanperezagirregoikoa

Posted @withregram • @kunsthallenuernberg 🌈 N

Posted @withregram • @kunsthallenuernberg 🌈 NOCH BIS ZUM
11. FEBRUAR PRÄSENTIEREN WIR IN DER KUNSTHALLE NÜRNBERG UND IM KUNSTHAUS DIE AUSSTELLUNG
⭐️ WHO‘S AFRAID OF STARDUST? ⭐️
Positionen queerer Gegenwartskunst
Heute stellen wir Euch die Arbeit ROBOTER 🤖 von CLAUS RICHTER vor:
Claus Richter besitzt die Fähigkeit, poetische Parallelwelten zu erschaffen, in denen sich differenzierte Anspielungen auf die Konsum- und Entertainmentwelt ebenso finden wie Verweise auf die emotionale, soziale und subversive Funktion von Kitsch und Groteske. Mit seinen Werken gelingt ihm der Spagat zwischen Humor und Melancholie, Zugänglichkeit und Verschlossenheit, Weltflucht und Spektakel. Die Grenzen zwischen der sogenannten Hoch- und Trivialkultur werden klug unterlaufen und die etablierten sozialen, alters- und genderbezogenen Parameter infrage gestellt.
Im Ausstellungskontext entstehen häufig aufwendige Kulissenlandschaften: Das Basteln und Tüfteln an den teils auch mechanischen und elektronischen Komponenten sind für Claus Richter Herzensangelegenheit und Rückzugsmöglichkeit zugleich.
Viele seiner Werke besitzen einen biografischen Bezug, so auch die Skulptur „Roboter“ (2023), die sich auf eine Fotografie bezieht, die den zwölfjährigen Claus als Roboter zeigt.
Auch heute finden sich im Werk des Künstlers vielfältige Protagonist*innen, die als Stellvertreter*innen für menschliche Emotionen, Ängste und Konflikte dienen.
Die Kunstfigur des Roboters repräsentiert ebenfalls die Möglichkeit zur Weltflucht: raus aus dem kleinstädtischen Lippstadt und dem diffusen Gefühl, dass die Alltagsrealität kein passendes Rollenmodell für den Heranwachsenden bereithält – hinein in eine Welt, in der es Raum für Fantasie, Theatralik und Andersartigkeit gibt und in der die kindliche Fähigkeit zu Selbstvergessenheit und Unvoreingenommenheit einen hohen Wert besitzt.
Text: Harriet Zilch
Fotos: @lukaspuermayr
Claus Richter
Roboter, 2023
Polystyrol, Karton, Holz, Elektrizität, Motor, reflekierende Folie
210 x 130 x 50 cm
Courtesy Galerie Clages @clagesgallery
© Claus Richter

Damaris Kerkhoff | a short record on January 19th

Damaris Kerkhoff | a short record on
January 19th – March 02nd 2024
Opening hours: Tue-Fr 1pm-6pm, Sat 1pm-5pm
Third room: ›looking‹
„One important point of reference in Kerkhoff’s work is the vocabulary of minimalism. Standardized shapes such as the triangle, the square, the circle, and the right angle are deliberately employed for their loaded theoretical background, which is both spotlighted and humorously subverted. The artist subjects the precise parameters of minimalism to various manual and material interventions, resulting in a lapidary shapelessness “
Text: Susanne Figner “Minimales Theater”
Photos 01-10: Simon Vogel
@damaris_kerkhoff
#damariskerkhoff #art #cologne #exhibition#contemporaryart #looking

Isabella Fürnkäs | Kunstpreis ›junger westen‹: Plastik, Skulptur und Installation
Group show at Kunsthalle Recklinghausen (DE)
On view until February 13th 2024
@isabellafuernkaes
›Remote Control‹ | Glazed ceramics | dimensions variable | 2023
›Memory House‹ | Print on silk cloth, metal structure | 200 x 200 x 150 cm | 2024
With Eliza Ballesteros, Noémi Barbaglia, Rebekka Benzenberg, Marta Dyachenko, Fabian Friese, Gerrit Frohne-Brinkmann, Isabella Fürnkäs, marc norbert hörler, Lucia Kempkes, Ju Young Kim, Maria Clara Kulemeyer, Julia Miorin, Esper Postma, Moritz Riesenbeck, Miriam Schmitz, Mona Schulzek, Tatjana Stürmer, caner teker, Tatjana Vall, Emil Walde, Denise Werth, Karla Zipfel.
Curated by Nico Anklam @nicoanklam
Photos by Caroline Schlüter @kunsthalle_recklinghausen
#isabellafürnkäs #kunsthallerecklinghausen #kunstpreisjungerwesten #jungerwesten #installation #contemporaryart #recklinghausen

Damaris Kerkhoff | a short record on January 19th

Damaris Kerkhoff | a short record on
January 19th – March 02nd 2024
Opening hours: Tue-Fr 1pm-6pm, Sat 1pm-5pm
First room: ›waking up‹
„If one were to reduce the various works by Damaris Kerkhoff to a common denominator, I would see it in the fact that the works all soften binary classifications or leave them behind completely. Instead, they focus on the transitive, creating connections, mixed and transitional forms. This concerns the layering of different working methods such as concept and expression, positive and negative form, digital and analog, as well as gender assignments. The dissolution of polarities also means that the search for an all-encompassing commonality […] in her work stands for a fundamental ambiguity. […]“
Text: Susanne Figner “Minimales Theater”
Photo 01: Michael Heym @michael_heym
Photos 02-10: Simon Vogel
@damaris_kerkhoff
#damariskerkhoff #art #cologne #exhibition #contemporaryart #wakingup

Mehr laden... Auf Instagram folgen