Clages Gallery | CV Sara MacKillop
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CV Sara MacKillop



Sara MacKillop


* 1973, Bromley (GB)

1999-2001  M.A. Painting, Royal College of Art, London (GB)

1992-1996   B.A.(hons) Fine Art, Leeds University, Leeds (GB)

Hargreaves Prize, Alun Mohun Prize


lives and works in London (GB)



2012 – 2015

ACME Fire Station Residency, London




„Double Glazed“, Florence Loewy, Paris (FR)


„One Room Living“ Bonington Gallery, Nottingham (GB)


“Temporary Bond”, Clages, Cologne (DE)

„Capsule 06: Window Display“, Haus der Kunst, Munich (DE)


„Pop-Up, Non Pop-Up“, Florence Loewy, Paris (FR)


„more lines“, Clages, Cologne (DE)

„Sculpture Room“, Trondheim Konstmuseum (NO)


„45wpm“, Mews Project Space, London (GB)

„Post“, Kunsthalle Charlottenburg, Copenhagen (DK)

„Sara MacKillop“, AP News, Zurich (CH)

“New Stationery Department“, Motto, Berlin (DE)


„Volume 3“, Clages, Cologne, (DE)

„Ex- Library Book“, Clockwork Gallery, Berlin (DE)

„Erica Baum/Sara MacKillop“, Bishoff/Weiss, London (GB)


„Notes etc“, Enrico Fornello Gallery, Milan (IT)

„Faded Paper“, Spike Island, Bristol (GB)

„Paper room“, Sorlandets Konstmuseum, Kristiansand (NO)

„White Room“, White Columns, New York (US)


„Furnished Space“, London (GB)

„Similar Variance“, Dundee Contemporary Art, Dundee (GB)

„Addendum“, Salle de Bains, Lyon (FR)

Jessica Bradley Art and Projects, Toronto (CA)

„Sara MacKillop/ Nuno Ramallah“, Mews Project Space, London (GB)

„Various dimensions“, Clages, Cologne (DE)




„Publishing as an Artistic Toolbox:1989-2017“, Kunsthalle Wien, Vienna (AUT)

„IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY“, curated by Elizabeth Price, Glynn Vivian Art Gallery, Swansea (GB)

„Copy Construct“, Cultuurcentrum Mechelen, Mechelen (BE)

„Starting from a book / books / Dan Walsh“, Florence Loewy Gallery, Paris (FR)

„Portrait (for a Screenplay) of Beth Harmon“, Tender Pixel, London (UK)


“Everything is about to Happen“, Serralves Museum, Porto (PT)

“Tell it Slant“, Frith Street Gallery, London (GB)


„Poem Nº 00000000000000000000000000000,9“, Mendes Wood, Sao Paolo (BR)

„Graphics Interchange Format“, Focal Point Gallery, Southend (GB)

„The Group“, Castillo Corrales, Paris (FR)

„Accadra Domani“, Museo Marino Marini, Florence (IT)

„It’s Not New, It’s a book“, Reina Sofia Gallery, Madrid (SP)

„Villa Toronto“, Union Station, Toronto (CA)

„Offprint London“, Tate Modern, London (GB)


„Everything is About to Happen“, Corvi-Mora & greengrassi, London (GB)

„Kultur und Freizeit“ / „Culture and Leisure“, Westfälischer Kunstverein, Münster (DE)


„Journey to the end of colour: Books and Prints“, 
curated by Guy Schranen, Musee de Serralves, 
Porto (PT)

„Xerograph“, Firstsite Gallery, Colchester

„For what it’s worth: Perceptions of Value in contemporary Art“, Selection from the Arts 
Council Collection,

Norwich Gallery, Norwich (GB)

„Some undisclosed points of disclosure“, Chelsea Art Library, Chelsea (GB)

„The Feverish Libary“, Capitain Petzel, Berlin (DE)

„Provisional Information“, Camberwell Space, London (GB)

„I won’t be getting a calendar this year since I was so 
unhappy with last year’s, Florence Loewy, Paris (FR)

„Marbeled Ream“, Modern Institute, Glasgow (GB)


„Threshold“, Jessica Bradley Art + Projects, Toronto (CA)

„Forth and Back“, Punctuation project, Limoncello Gallery, London (GB)

„Void“, Saloon du Livre, La Fonderie Kugler, Geneve (CH)

„Glaze“, Gallery Chez Valentin, Paris (FR)

„Meanwhile“, John Hansard Gallery, Southampton (GB)

„XARCHIVE, X Marks the Bökship“, Badischer Kunstverein, Karlsruhe (DE)

„Curators Egg“, Anthony Reynolds Gallery, London (GB)

„Dear Lynda“, Chelsea Art Space, London (GB)

„Threshold“, Jessica Bradley Art + Projects, Toronto (CA)

„Forth and Back“, Punctuation project, Limoncello Gallery, London (GB)

„Postcard Show“, Spike Island, Bristol (GB)

„X Alphabet, X Marks the Bokship“, Badischer Kunstverein (DE)

„Curators Egg“, Anthony Reynolds Gallery, London (GB)


„Provisional Information“, Occaisionals at the Milton Keynes  Gallery, including John Cage, Dexter Sinister,

Anna Barham, Buckinghamshire (GB)

„Concrete Poetry“, Concrete, Hayward Gallery, London (GB)

„From Page to Space“, Museu Serralves, Porto (PT)

„Dorothea“, Ancient & Modern, London (GB)

„Glaze“, Bischoff/Weiss, London (GB)

„Contribution to Three Letter Words“, Publication by Publish and be damned

„From Page to Space“ curated by Guy Schraenen, Museu Serralves, Porto (PT)

„Dorothea, Ancient and Modern“, London

„Glaze“, Bischoff/Weiss, London 

„Sara MacKillop/Bedford Press, X Marks the bokship“, London (GB)

„Anti Photography“, Focal Point Gallery, Southend on Sea (GB)

„La Photocopie“, Cabinet du Livre D’artiste Universite de Rennes (FR)

„Cactus Craze“, Wicker and Gregorio Magnani, KW, Berlin (DE)


„Bedford Press“, PS1, New York Art Book Fair, New York (US)

„Record Show“, White Columns benefit auction, New York (US)

„The Page“, curated by John Stezaker, Kimmerich, New York (US)

„Play it!“, Florence Loewy, Paris (FR)

„24 advertisements“ curated by Jacob Fabricius, Copenhagen (DK)

„Amor Parvi oder Die Liebe zum Kleinen“, curated by Oliver Tepel, Kunstverein Langenhagen, Langenhagen (DE)

„Hulahoop“, 401 Contemporary, London (GB)




„Publication 2008-2018“, Bierke Verlag, Berlin (DE)


„Loyalty Map Volume 2“, Whitechapel Gallery, London


Art Monthly, ›Sara MacKillop‹, Artist’s profile


„Typewriter Manual“, 2011.

„1 Day Diary“, White Columns, New York.

„Envelopes midwinter“, Sorlandets Kunstmuseum, Norway

„Modern Art and Everyday Life“, Bedford Press, London

„Folded Envelopes 2“, London 2011 One day diary, White Columns, New York

„Faded Paper“, Spike Island, Bristol 2011 One day diary (pocket size)


„Mirrors“, Blue Feint, London

„Remains“, Dundee Contemporary Art

„Arrows“, Blue Feint London